-40%
GARY GLITTER “ROCK & ROLL” SIGNED 3X5 INDEX CARD
$ 42.24
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Description
Offered here is a 3X5 index card signed by Gary Glitter.I am selling my collection of autographs that I have purchased several years ago from an array of sources – from eBay sellers, from dealers with professional credentials, and from the signers themselves via the mail. Some came with COA’s; most did not. When I obtained these signatures, I believed them to be genuine and I believed that they were genuine when I posted them on Ebay.
I have received opinions from others, including PSA/DNA whose opinion I sought, indicating that some of the signatures that I have posted were not likely to be genuine. I have pulled those questionable signatures, and will not post them for sale again in the future. It is not my intention to sell autographs that are not authentic, and I will continue do my best to try to ensure that the signatures that I am offering are genuine. As indicated below, all signatures that I sell come with a money-back guarantee if they are judged to be of doubtful authenticity.
If the signature or signatures is/are determined to be inauthentic by a well-recognized autograph expert, this item may be returned for a full refund.
For those who'd prefer a different form of shipping, please contact me so that we can discuss what your shipping charges might be.
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Short Bio:
Although the late '90s apparently saw the end of Gary Gllitter's career, following his conviction for sexual offenses, there is no doubting that for a full 25 years before that tragic denouement,
Gllitter ranked among Britain's best-loved performers of all time. The hits which catapulted him to fame in the early '70s, the anthemic "Rock and Roll" of course, but also the likes of "I'm the Leader of the Gang," "Do You Wanna Touch Me," and "I Love You Love Me Love," still have the capacity to stir an audience -- as "Rock and Roll" itself proves, every time it airs at a major sporting event in the U.S. And, if it is at all oxymoronic that the King of British Glam should be responsible for one of the national anthems of American Football, then that is simply further testament of what made Gary glitter so brightly. Musically, visually, and emotionally, he transcended so many barriers that even categorizing him as a rock & roller seems somehow stingy. He was so much more than that.
in January, 1960, under the first of the multitude of pseudonyms which the singer would utilize through the remainder of the decade, Paul Raven. It was a meeting with producer/arranger Mike Leander
which marked the turning point in
Raven’s fortunes. The singer joined Leander's eponymous Show Band in April, 1965;
Leander
also arranged for his young protégé to oversee a handful of recording sessions, producing singles by Thane Russell and Scottish beat band the Poets.
"Rock and Roll" first took shape as a 15-minute jam session before
Leander
edited it down into two three-minute gems, sensibly subtitled "Part One" and "Part Two." Next came the matter of a new name for the performer -- according to legend,
Raven's first instinct was Vicki Vomit, followed by Terry Tinsel, Stanley Sparkle, or Horace Hydrogen, working backwards through the alphabet,
Gary Glitter
was simply the next alliteration he thought of. And this time, it stuck.
Despite a slow start (it took six months to break into the U.K. chart) "Rock & Roll," of course, became one of the biggest hits of 1972 and one of the most unique. A number two in the U.K. and Top Ten in America, it set Glitter up for a period of almost unassailable chart domination, as a string of barely disguised sound-alikes flew from his and Leander's pens, unerringly affixing themselves on the British Top Ten: "I Didn't Know I Loved You (Till I Saw You Rock and Roll)," "Do You Wanna Touch Me (Oh Yeah)," and "Hello Hello, I'm Back Again" all charted during the next 12 months. Two albums,
Gllitter
and Touch Me, were no less successful, while
Gllitter’
s first ever London concert in spring, 1973, saw him sell out the London Palladium, one of the first rock & rollers ever to play that venerable old pile.
by
Dave Thompson